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Rodolfo Galé
Real name: Tobares Galletti, Juan Dionisio
Singer
(26 December 1928 - 25 October 1972)
Place of birth:
Mendoza Argentina
SONGS IN THIS ARTICLE
Cuesta abajo
Tango
Eras como la flor
Tango
Melodía de arrabal
Tango
Mi colegiala
Vals
Noche de locura
Tango
Si vos no me querés
Vals
Testamento de arrabal
Tango
Trago amargo
Tango
Y con eso dónde voy
Tango
ARTISTS IN THIS ARTICLE
Abel Aznar
Argentino Ledesma
Arturo Gallucci
Atahualpa Yupanqui
Carlos Bahr
Carlos Di Sarli
Elvino Vardaro
Floreal Ruiz
Florindo Sassone
Francisco Canaro
Francisco Fiorentino
Jorge Casal
Jorge Durán
José Basso
José Libertella
Julián Plaza
Manuel Sucher
Oscar Castagniaro
Oscar Ferrari
Oscar Serpa
Raúl Hormaza
Ricardo Ruiz
Roberto Caló
Roberto Chanel
Roberto Florio
Rodolfo Galé
By
Abel Palermo
his correct singer with a baritone range, dark timbre and strong voice, was born in the province of Mendoza 1000 kilometers far from Buenos Aires. He was a child when his parents died so his elder sisters raised him.
His vocation for tango woke up when he was a teenager. At age 15 he won a contest for new singers in his hometown province with the tango “
Melodía de arrabal
”.
In 1945, he joined the local orchestra led by Aníbal Apiolaza. Two years later he moved to the province of Córdoba to debut with the outfit led by Torcuato Wermuth. In 1949, he arrived in Buenos Aires where he appeared accompanied by guitars in the intermission shows of several movie theaters.
In the late 1950, the vocalists
Roberto Chanel
and Raúl Lavalle split with the the orchestra led by
Florindo Sassone
. Rodolfo was summoned by the leader and during 1951 he was the only vocalist. On May 30 that year he recorded his first disc for RCA-Victor, “
Testamento de arrabal
” by
Oscar Castagniaro
and lyrics by
Raúl Hormaza
. He also recorded “Íntimas” and “
Trago amargo
”, among others.
The following year
Roberto Chanel
returned to the aggregation and so the team of vocalists was completed.
Galé and
Jorge Casal
were the singers that recorded most with Sassone for the Victor label, 16 tracks each. On April 14, 1953, he cut the last two numbers: “El estrellero” and “Yunque”.
Due to
Jorge Durán
’s split with the
José Basso
Orchestra and because of a special suggestion of its vocalist
Oscar Ferrari
, Rodolfo joined the unforgettable Pepe and immediately recorded an excellent rendering of “
Cuesta abajo
” for Odeon. Later came “Patoteros”, “Doblando el codo” and in 1955, “
Eras como la flor
”. This was an important time in his career; we have to take into account that singers of the level of
Floreal Ruiz
,
Francisco Fiorentino
,
Ricardo Ruiz
and the above mentioned
Jorge Durán
and
Oscar Ferrari
passed through the ranks of the Basso’s orchestra.
On the second half of that year nearly all the musicians split with the
Carlos Di Sarli
Orchestra and with them, the two vocalists:
Oscar Serpa
and Mario Pomar. Consequently the leader had to look for instrumentalists and vocalists to replace the former ones. So notable artists such as the violinists Tito Simón and
Elvino Vardaro
and the bandoneonists,
Julián Plaza
and
José Libertella
and the singers
Argentino Ledesma
and
Rodolfo Galé
joined that renowned aggregation.
During his tenure with Di Sarli he cut for the Victor company: “
Noche de locura
” written by
Manuel Sucher
and
Carlos Bahr
and the waltz “Mala yerba” by
Arturo Gallucci
and
Abel Aznar
, both in 1956.
That year
Argentino Ledesma
split with the orchestra. He was replaced by
Roberto Florio
and one of its most acclaimed singers,
Jorge Durán
, returned. Some time later, Rodolfo also split with Di Sarli.
His career continued during 1957 and 1958, with the orchestra led by
Roberto Caló
alongside Héctor de Rosas. With the latter he recorded in a duo setting “Limosna de amor”, the waltzes “
Mi colegiala
” and “
Si vos no me querés
” and the beautiful zamba composed by
Atahualpa Yupanqui
, “Luna Tucumana”. Also as soloist: “
Y con eso dónde voy
”, “Mañana seré feliz” and “Nunca serás mía”.
In 1959, he was called by maestro
Francisco Canaro
and appeared on different occasions at theaters, balls and on the radio. Unfortunately due to some problems and severe pain in his chest he decided to visit a prestigious cardiologist. The latter advised him to withdraw from the activity and lead a quiet life far from show business and cigarette smoke.
But his financial needs did not allow him to follow the physician’s advise and he returned to his career, on this occasion, far from Buenos Aires. He embarked again on tours and nightlife. He was continuously traveling throughout the country until October 25, 1972, at noon a heart attack put an end to his life when he was almost 44 years old.
The words said by
Oscar Ferrari
about this beloved singer are suitable to end this portrayal: «He was like the brother I never had. Very few know how he was intimately. He was a wonderful human being and a loyal friend. He belonged to that kind that is not easy to find.»
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