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ARTISTS MENTIONED IN THIS ARTICLE
Alberto Amor
Ángel Díaz
Ángel Domínguez
Armando Cupo
Carlos Arnaiz
Carlos Di Sarli
Carlos Pazo
Claudio González
Daniel Lomuto
Enrique Cantore
Enrique Marchetto
Florindo Sassone
Fontán Luna
Jorge Casal
José Amatriain
José Libertella
José Nieso
Juan Bibiloni
Juan D'Arienzo
Juan Scaffino
Julián Plaza
Leopoldo Federico
Luciano Leocata
Mario Azzerboni
Mario Bustos
Miguel Padula
Norberto Ramos
Orlando Calautti
Oscar Macri
Osvaldo Fresedo
Osvaldo Monteleone
Osvaldo Ramos
Osvaldo Requena
Pascual Mamone
Pastor Cores
Roberto Chanel
Roberto Guisado
Rodolfo Biagi
Rodolfo Galé
Rodolfo Lemos
Zulema Robles
By
Luis Alposta
Orquesta Típica Florindo Sassone
n January 1936, after his tenure as violinist in the
Osvaldo Fresedo
orchestra,
Florindo Sassone
began his career as leader. He put together a sextet with boys he knew: Héctor Carrichieri (piano); Raúl Muñoz, later,
Osvaldo Fresedo
and Roberto Stevenil (bandoneons); someone named Garmendia (double bass); Cacho Segovia and Sassone (violins). They were at the level of a neighborhood orchestra, like those headed by
Mario Azzerboni
,
Miguel Padula
or Alberto Las Heras. But despite that they made their debut on LR3 Radio Belgrano. The first vocalist was
Alberto Amor
(later with
Rodolfo Biagi
).
Towards 1940 he decided to postpone his music work and he devoted to other businesses.
In 1946 he returned. Throughout that year he appeared at different cafés and at every available venue. His style is going strong, it brings back much of Fresedo’s and he likes
Carlos Di Sarli
, but something is still missing.
In 1947 his recognition comes unannounced with the presence of a singer greatly influenced by Gardel,
Jorge Casal
, the true prime mover of Sassone’s career.
Among the pianists that played with him, the following names stand out:
Armando Cupo
,
Osvaldo Requena
and
Norberto Ramos
.
Sidemen in his bandoneon section:
Pascual Mamone
,
Ángel Domínguez
,
Daniel Lomuto
,
Luciano Leocata
,
Carlos Pazo
,
Orlando Calautti
, Jesús Méndez,
Leopoldo Federico
,
Julián Plaza
,
José Libertella
and, among others,
Pastor Cores
who, after the death of the leader, formed and led the Orquesta Símbolo Don Florindo which recorded a long-playing record with twelve tracks. In eight of them the vocalist was
Rodolfo Lemos
.
As for violinists:
Roberto Guisado
(after his tenure with Di Sarli),
Claudio González
,
Juan Scaffino
,
José Amatriain
,
José Nieso
, Bautista Huerta,
Carlos Arnaiz
,
Juan Bibiloni
, Domingo Mancuso and
Enrique Cantore
.
Among his bass players,
Osvaldo Monteleone
and
Enrique Marchetto
stand out.
Finally, the vocalists who succeeded in recording are:
Jorge Casal
,
Roberto Chanel
,
Mario Bustos
, María Teresa Casas, Osvaldo Di Santi (
Osvaldo Ramos
with
Juan D'Arienzo
),
Ángel Díaz
,
Rodolfo Galé
,
Fontán Luna
, Carlos Malbrán, Andrés Peyró,
Zulema Robles
,
Oscar Macri
and
Rodolfo Lemos
.
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